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์ง€ํ˜œ์ง„ ๊ฐœ์ธ์ „ <ํ•œ์˜ฅํ’๊ฒฝ ๋„์ž์กฐํ˜•๊ณผ ๋งŒ๋‚˜๋‹คII(Hanok, Meet with Ceramic Sculpture II)>


์ „์‹œ์žฅ์†Œ(Place) : ๋ด„ 1์ „์‹œ์‹ค(Bom 1st exhibition room)

์ „์‹œ์ผ์ •(Period) : 2019.09.05 ~ 2019.09.18

์ฐธ์—ฌ์ž‘๊ฐ€(Artist) : ์ง€ํ˜œ์ง„(Chee, Hyejin)


ย 

๋‚˜๋Š” ํ•œ์˜ฅ์ด ์ข‹๋‹ค.

๋‹ซํžŒ ๋“ฏ ๋ณด์ด๋‚˜ ๋ฐ”๋žŒ ๊ธธ์„ ๋‚ด์–ด์ฃผ๋Š” ์—ด๋ฆฐ ๊ณต๊ฐ„๊ณผ ๋ฌด๋š๋šํ•ด ๋ณด์ด๋‚˜ ์‚ฌ๋Š” ์ด์˜ ๊ฐœ์„ฑ์ด ์ˆจ์–ด์žˆ๋Š” ์ต์‚ด์Šค๋Ÿฌ์›€๊นŒ์ง€โ€ฆโ€ฆ.

์•Œ์•„๊ฐˆ์ˆ˜๋ก ๋ฏธ์†Œ ์ง“๊ฒŒ ํ•œ๋‹ค.


๋‚˜๋Š” ํ•œ์˜ฅ์ด ์ข‹๋‹ค.

๊ทธ๋ƒฅ ์ข‹๋‹ค.


I am fascinated by Hanok.

My work focuses on traditional Korean architecture, specifically Hanok.

There is an interplay between open and closed structure that gives way to the wind. It may seem naive, but itโ€™s profound that the individuality of living is hidden.

New variations are crafted from both constructed and discovered structures.

As architectural forms become clarified through emergent and academic practice, the viewer is left with a nostalgic vision of wholesome living.

I am fascinated by Hanok.

Itโ€™ just good.


ย 

์ฃผ๋ณ€ ํ™˜๊ฒฝ๊ณผ์˜ ์–ด์šธ๋ฆผ์„ ์ค‘์‹œํ–ˆ๋˜ ์šฐ๋ฆฌ์˜ ํ•œ์˜ฅ ๊ณต๊ฐ„์„ ๋„์ž์กฐํ˜•์œผ๋กœ ์ œ์•ˆํ•˜์—ฌ ์žŠํ˜€์ ธ ๊ฐ€๋Š” ์šฐ๋ฆฌ๋ฌธํ™”, ์šฐ๋ฆฌ์˜ ์ •์„œ๋ฅผ ์žฌ์กฐ๋ช…ํ•˜๊ณ , ํ•œ์˜ฅ์˜ ็พŽ์™€ ์šฐ๋ฆฌ๋ฏผ์กฑ์˜ ์ •์„œ๋ฅผ ๋‹ด๊ณ  ์žˆ๋Š” ํ™- ์ด ๋‘˜์ด ๋งŒ๋‚˜ ์ œ์•ˆํ•˜๋Š” ์ƒˆ๋กœ์šด ๋„์ž์กฐํ˜•์ „์‹œ๋ฅผ ํ†ตํ•ด ๋งŽ์€ ๋ถ„๋“ค์—๊ฒŒ ํ•œ์˜ฅ๊ณผ ๋„์ž์กฐํ˜•์„ ์•Œ๋ฆฌ๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.

์ˆ˜์›์˜ ็พŽ, ํ•œ๊ตญ์˜ ็พŽ๋ฅผ ๋Œ€ํ‘œํ•˜๋Š” ํ•œ์˜ฅ์„ ๋‹ด์€ ๋„์ž์กฐํ˜•์œผ๋กœ ๋‹ค์†Œ ๋‚ฏ์„  ๋„์ž์˜ˆ์ˆ ์ž‘ํ’ˆ์„ ์นœ์ˆ™ํ•˜๊ฒŒ ์ ‘ํ•  ์ˆ˜ ์žˆ๋Š” ๊ธฐํšŒ๋ฅผ ์ œ๊ณตํ•˜๊ณ , ํŠน๋ณ„ํžˆ ์ด๋ฒˆ ์ „์‹œ๋ฅผ ํ†ตํ•ด ๋„์ž์กฐํ˜•์ž‘์—…๊ณผ ๋น›์„ ์‚ฌ์šฉํ•œ ์„ค์น˜์ž‘์—…์œผ๋กœ ๋งค์ฒด์˜ ์œตํ•ฉ๊ณผ ๊ณต๊ฐ„์˜ ํ™•์žฅ์„ ์‹œ๋„ํ•ด ๋ณด๋ คํ•ฉ๋‹ˆ๋‹ค.

ย 

<ํ•œ์˜ฅํ’๊ฒฝ1>, ceramics, 30x34cm, 2019

<ํ•œ์˜ฅํ’๊ฒฝ2>, ceramics, 8x29x18cm, 2019

<ํ•œ์˜ฅํ’๊ฒฝ3>, ceramics, 6x27x17cm, 2019

<ํ•œ์˜ฅํ’๊ฒฝ4>, ceramics, 26x31cm, 2019

ย 

ํ•™๋ ฅ

2015 ๊ฒฝ๊ธฐ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๋””์ž์ธ๋Œ€ํ•™์› ๋„์˜ˆ์ „๊ณต ์กธ์—…

2003 ๋ฏธ๊ตญ NEWYORK UNIVERSITY BUSINESS ์ˆ˜๋ฃŒ

1999 ์ผ๋ณธ BUNKA FASHION COLLEGE ์Šคํƒ€์ผ๋ฆฌ์ŠคํŠธ๊ณผ ์กธ์—…

1996 ํ™์ต๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๋Œ€ํ•™ ๋„์˜ˆ๊ณผ ์กธ์—…

1991 ์„ ํ™”์˜ˆ์ˆ ๊ณ ๋“ฑํ•™๊ต ์กธ์—…


๊ฐœ์ธ์ „

2019 ์ง€ํ˜œ์ง„๊ฐœ์ธ์ „, ์˜ˆ์ˆ ๊ณต๊ฐ„๋ด„(์˜ˆ์ •)

2018 ์ง€ํ˜œ์ง„๊ฐœ์ธ์ „, ๋‚จ๋ฌธ๋กœ๋ฐ์˜ค๊ฐค๋Ÿฌ๋ฆฌ(์ˆ˜์›)

2017 ์ง€ํ˜œ์ง„๊ฐœ์ธ์ „, ํ†ต์ธ๊ฐค๋Ÿฌ๋ฆฌ(์ธ์‚ฌ๋™)

2016 ์ง€ํ˜œ์ง„๊ฐœ์ธ์ „, ์ˆ˜์›๋ฏธ์ˆ ์ „์‹œ๊ด€(์ˆ˜์›)


๊ทธ๋ฃน์ „

2018 ๅœŸ'๋ผ์ „, ๋‚จ๋ฌธ๋กœ๋ฐ์˜ค๊ฐค๋Ÿฌ๋ฆฌ(์ˆ˜์›)

2018 ๋„์ž‘๊ฐ€์ „, ์ด์•™๊ฐค๋Ÿฌ๋ฆฌ(๋Œ€ํ•™๋กœ)

2015, 2016 ๋™์–‘๋„์ž์ „, ์„ธ๋ผํ”ผ์•„(์ด์ฒœ)

2015, 2016, 2017 ์—ฐ์žฅ์ „, ํ–‰๊ถ๊ธธ๊ฐค๋Ÿฌ๋ฆฌ(์ˆ˜์›)

2013 ๊ฒฝ๊ธฐ์„ธ๊ณ„๋„์ž๋น„์—”๋‚ ๋ ˆ โ€œNEXT GENERATION", ๋ฐ€์•Œ๋ฏธ์ˆ ๊ด€(์„œ์šธ)


ํŽ˜์–ด

2015, 2016, 2018 ํ•ธ๋“œ๋ฉ”์ด๋“œ์ฝ”๋ฆฌ์•„ํŽ˜์–ด, ์ฝ”์—‘์Šค(์„œ์šธ)

2014, 2015, 2017 ๊ณต์˜ˆํŠธ๋žœ๋“œํŽ˜์–ด, ์ฝ”์—‘์Šค(์„œ์šธ)

2016 G์„ธ๋ผ๋ฏน๋ผ์ดํ”„ํŽ˜์–ด, ์„ธํ…(์„œ์šธ)

2016 Kํ•ธ๋“œ๋ฉ”์ด๋“œํŽ˜์–ด,์ฝ”์—‘์Šค(์„œ์šธ)


์ˆ˜์ƒ

2014 ํ–‰์ฃผ๊ณต์˜ˆ๋””์ž์ธ๋Œ€์ „(ํŠน์„ )

2014 ์ต์‚ฐ ํ•œ๊ตญ๊ณต์˜ˆ๋Œ€์ „(ํŠน์„ )

์™ธ ๋‹ค์ˆ˜



์ง€ํ˜œ์ง„art ์ˆ˜์›๋„์ž๊ณต๋ฐฉ์šด์˜

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